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Allelujah! Don't Bend! Ascend!

A disappointing effort from an otherwise talented artist.

Allelujah! Don't Bend! Ascend!

The production is interesting but the songs themselves are lacking.

Allelujah! Don't Bend! Ascend!

A landmark release that deserves every bit of praise it gets.

Brown Sugar

Incredibly overrated. One of the most baffling critical darlings out there.

It Was Written

Took a few listens to click but now I can't stop playing it.

Rock Action

Incredibly well-crafted. A few moments don't work but the highs are very high.

Rock Action

Pretentious and meandering. Style over substance.

Rock Action

I've been thinking about what makes certain albums transcend their era and become genuinely timeless. It's not just great songwriting or innovative production, though this has both in abundance. It's something harder to define — a sense of inevitability, like these songs had to exist in exactly this form. Nothing feels like it could be different. The more I listen, the more I appreciate the restraint shown here. There are moments where a lesser artist would have overplayed their hand, added another layer, pushed the dynamics further. But every choice here serves the song. It's maximalist and minimalist at the same time somehow. An extraordinary achievement that I think will still be revered in fifty years.

Rock Action

I've given this album a fair shot — probably seven or eight full listens — and I just can't connect with it the way so many people seem to. The opening track drew me in with its promise of something special, but the album never delivers on that promise. It keeps gesturing toward profundity without actually achieving it. The production is admittedly impressive from a technical standpoint, and there are flashes of genuine songwriting talent. But too much of this feels like an artist trying to be Important with a capital I rather than just making good music. I wanted to love it, I really did.

echo_hazeonRock Action·1.5·7d ago
If You're Feeling Sinister

This hits a sweet spot between accessibility and experimentation that very few albums manage. It's catchy enough to enjoy casually but deep enough to reward close listening. Smart, well-crafted music.

If You're Feeling Sinister

The production is interesting but the songs themselves are lacking.

If You're Feeling Sinister

Overrated in my opinion. There's some good stuff here but not enough.

If You're Feeling Sinister

I was skeptical of the hype but this completely lives up to it.

If You're Feeling Sinister

One of those albums where you can hear the artist really pushing themselves.

Coat of Many Colors

Returned to this after a few years away and it hit even harder than I remembered. Some albums age poorly but this one has only gotten better with time. The themes feel more relevant now than ever and the sonics still sound fresh.

Coat of Many Colors

I've given this album a fair shot — probably seven or eight full listens — and I just can't connect with it the way so many people seem to. The opening track drew me in with its promise of something special, but the album never delivers on that promise. It keeps gesturing toward profundity without actually achieving it. The production is admittedly impressive from a technical standpoint, and there are flashes of genuine songwriting talent. But too much of this feels like an artist trying to be Important with a capital I rather than just making good music. I wanted to love it, I really did.

Coat of Many Colors

I think this album gets slightly overlooked in discussions about the best of its era, which is a shame because it does so many things right. The arrangements are inventive without being showy, the performances are committed and emotionally present, and the overall arc of the tracklist is really well considered. My only real criticism is that it occasionally feels like it's holding back when it should be going for broke. There are moments where you can sense a bigger, bolder idea lurking just beneath the surface. But what's actually here is still great — a confident, cohesive album that rewards close listening and repeated plays.

Coat of Many Colors

There's a certain kind of album that doesn't just sit in your collection — it becomes part of your identity. This is one of those albums for me. I first heard it during a really formative time in my life and it shaped how I think about what music can be and do. The ambition here is enormous but what's remarkable is that the execution matches it completely. There's not a single moment that feels forced or unnecessary. The sequencing deserves special mention. The way the energy builds and releases across the tracklist is masterful. You can tell this was crafted as a complete experience, not just a collection of songs. Every track is essential to the whole, and removing any one of them would fundamentally change what the album is.

Ultraviolence

I wanted this to be better than it is. The ingredients are all there — the talent, the ambition, the production budget — but it never quite gels into something greater than the sum of its parts. Still a pleasant enough listen though.

Ultraviolence

Decent album with a handful of really excellent tracks. The problem is the material between those peaks isn't compelling enough to hold your attention. Worth cherry-picking the highlights for a playlist.