
“I can hear why this was praised at the time — the production was clearly ahead of the curve, and there are a few genuinely innovative moments. But stripped of its historical context, this is a pretty uneven listening experience. The first third is strong, the middle is forgettable, and the back end is a slog. I don't think this is bad by any means, but I do think its reputation has outpaced its actual quality. There are better albums in this genre that get a fraction of the attention. Worth hearing once for context, but I won't be coming back to it.”

“I keep going back and forth on this one. Some days I think it's underrated, other days I think the consensus is about right. The production is genuinely interesting — there are textures and sonic choices here that I haven't heard elsewhere. But the songwriting underneath all that ornamentation is sometimes pretty thin. It's one of those albums that's more fun to think about and discuss than it is to actually listen to, if that makes sense. The concept is great, the execution is uneven. I respect it more than I enjoy it, but I do respect it quite a bit.”